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Operation Banjo Case!

NEWS:

Southwest, Europe, and California in the spring! Stay tuned for tour dates! To here the live NPR studio performance in Oregon, click HERE To see Alexa's song "Eleanor" featured on Fox's "So You Think You Can Dance", click HERE or watch below:

Darkest Days

Linda Langhorst's Painting

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Here is a beautiful painting by Linda Langhorst, from a show in Columbus at the Guitar House in November... she's quite talented and you should pay her site a visit. Many thanks to Linda and the Guitar House for a lovely evening! Happy almost New Year everyone!


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Christian Heaston Photos

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Photographs from Christina Heaston:


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Red Barn Radio

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some pictures from our live performance at Red Barn Radio in Lexington, KY:



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Columbus

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The Guitar Workshop, a lovely luthier shop in Columbus Ohio, gave us a great audience.


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some Chicago in your pocket!

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Here are a few videos from the Chicago show.... culminating with Elam Blackman's grand finale, which we recorded at the very, very end of the night after a communal jug of mescal. Here are "Speck" and "Darkest Days" from me, and "Evershone" from Elam (otherwise known as "I put my butt on you")...





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Chicago

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Here's a new song performed in the Sweat Shop in Chicago. More videos from this concert coming soon.

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Whitesburg

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photographs by Brian Wagner, www.brianwagnerphotography.com

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Press shout outs this week...

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From My old Kentucky Blog:
Many of Alexa Woodward's banjo-driven folk songs slowly slink like fog down from the Appalachian mountains and hills of Virgina and wrap your soul in melancholy. Woodward's 2009 release, Speck, is full of subtle textures and well-matched harmonies that support interesting and well-written narratives.


From Nuvo:
The music of Alexa Woodward, filled with plucky banjos and lamenting, flawless vocal performances, provides the listener with a sound from long ago. Woodward effortlessly sings and plucks her banjo to her backwoods-inspired songs without sounding like someone chasing the textbook example of porch music.

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fall tour diary: Lexington, Whitesburg KY

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 Elam Blackman and I kicked off the fall tour in Lexingon, Kentucky where we played for a live radio audience at Red Barn Radio (pictures and video coming soon), and then played with the Rain Junkies at Buster's Billiards and Backroom. In the morning,  Isaac and Julie introduced us to the hot brown, a Kentucky favorite: a piece of toast, covered in layers of sandwich meat, then smothered in gravy, then smothered in melted cheddar cheese that extends to the edge of the plate and looks like a big orange crispy blob, finally topped in bacon. mmmm. or, ow?

On the way to Whitesburg we stopped at a little flea market in Hazard Kentucky where we stumbled into a back room with used instruments, I discovered and fell in love with a little tenor Ukulele, and bought it. It's name is Hazard Purchase.


Last night we played a benefit show at Summit City Lounge,  for Appalshop, one of the coolest non profits in the southeast. they work to preserve mountain culture and the mountains themselves, advocating against mountain top mining. They do community organizing and education for Kentuckians who want an alternative to working in the mines, and they are a force to be reckoned with! Definitely check them out.

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So You Think You Can Dance

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Ellenore Scott dances to my song "Eleanor" on season six of Fox's So You Think You Can Dance:

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In Knoxville with the Wild Things

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Tennessee

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Knoxville Sentinal

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Wayne Bledsoe

In today's world there's no telling where a song might turn up. Two of singer-songwriter Alexa Woodward's songs are perfect examples.

Fox recently contacted Woodward to tell her that a contestant in the top 20 on "So You Think You Can Dance" had danced to one of Woodward's songs called "Eleanor." Another song showed up in the trailer for the Australian TV show "The Wall."

"It could've been like a Viagra commerical or Wal-Mart. I'm glad it turned out to be used for something nice and artistic," says Woodward in a phone call from her home in Greenville, S.C.
A former law student, Woodward started playing guitar and writing songs while she was attending Gordon College in Wenham, Mass.

"It really wasn't until I found the banjo that I got serious about it," says Woodward. "I was home one Christmas and I found this banjo under the bed. I just started playing it and fell in love with it."
Woodward's father, documentary filmmaker Stan Woodward, bought the instrument on a whim, but never really learned how to play it.

"It's a Gibson from the early '60s, beautiful instrument," says Woodward. "I just started writing almost exclusively on it."

The results can be heard on Woodward's recent album, "Speck." Rather than going for bluegrass banjo rolls, she opted to play pretty melodies or strum simple rhythms.

Woodward says she put a lot of thought into whether her energies would be best used as a lawyer or a musician.

"I have to say that music has connected me to people in a way that very few other things have. Just as a human being I feel very grateful to take part in that. Being out on the road, all the times we broke down, we've had the opportunity to experience so much hospitality and generosity from strangers. It's an encouraging thing."

There have been times, though, that Woodward questioned a future in music, including a tour in which her 1984 VW van "broke down in seven states."

"There was a night in Colorado," says Woodward. "We had just been stranded in New Mexico for four days. We'd broken down in the desert. The ignition had caught on fire. That had all been fixed and was very expensive. And the day we left and got to Mesa Verde National Park where were going to camp for the night and just before we got to the top of the mountain the van died again. We're in a 'Danger! Falling Rock' zone and we're looking down into this vast horizon. There's no guardrail and the van's emergency brake didn't work so someone had to sit with their foot on the brake so it wouldn't roll away while we were working on it. Eventually, we're paying to have it towed from the side of this mountain in the middle of the night. I just felt kind of hopeless. And we'd just played a series of shows that hadn't paid that well ... that was, like, the worst."

But then there are good surprises.
"I've (performed) in random towns on the West Coast and had people come up and tell me they've listened to my songs for the last three or four years and they're glad I came out. It's very surreal. You never know how it works."




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Fall Tour!

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For more details on any of these shows, click HERE

Tue 10/27/09 Knoxville, TN Preservation Pub

Wed 10/28/09 Johnson City, TN Acoustic Coffeehouse

Thu 10/29/09 Chattanooga, TN Lindsay Street Hall

Fri 10/30/09 Bluff City, TN Stickley Farm

Sat 10/31/09 Johnson City, TN Milligan College

Sat 10/31/09 Jonesborough, TN Jonesborough Farmers Market

Sat 11/14/09 Pumpkintown, SC Pumpkintown Opry

Wed 11/18/09 Lexington, KY CD Central

Thu 11/19/09 Whitesburg, KY The Summit City

Sat 11/21/09 Chicago, IL The Sweatshop

Sun 11/22/09 Indianapolis, IN Earth House Collective

Sun 11/22/09 Indianapolis, IN Indy CD & Vinyl

Mon 11/23/09 Louisville, KY Skull Alley

Mon 11/23/09 Louisville, KY Ear X-Tacy Records

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Pumpkintown Opry

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This fall I'll be performing a few times at the Pumpkintown Opry, the only old-time Opry in South Carolina (the two remaining dates are October 24th and November 14th).  Here's a recording of "Mary" from my last appearance there. 

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WDVX Blue Plate Special

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a song is born!

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Greenville, SC

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Played a great show with Aaron Berg and Robert Gowan at coffee underground in Greenville, SC. I'll be focusing on shows in the southeast/midwest this fall, so check the myspace page for updates, especially if you're in SC, TN, KY, OH, or IL


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"Secrets" featured on "The Wall" trailer

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The trailer for a new Australian drama series about life in East Germany before the fall of the Berlin wall features my song, "Secrets":

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found a lamb

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No Telling in Copenhagen

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Alexa Woodward from Mathias Laurvig on Vimeo.

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Review from Pajiba

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Alexa Woodward: Speck
[Constant Clip records]

I might be the least qualified among us to review this album, for no reason other than folk music is a genre that has, for the most part, completely escaped me. And at it’s heart, that’s what Alexa Woodward’s first album, Speck, is. But at the same time, it’s a bit more than that. It’s a quiet, contemplative record full of lovely harmonies, soothing melodies and some really killer banjo work. And as a hardcore bluegrass fan, I loves me some banjo.

The New York City-based Woodward’s voice, a dulcet, versatile tool, is almost hypnotic. Her notes carry a beautiful timbre throughout the album, and while the album’s overall sound isn’t always terribly varied, her voice is really what you come for. Backed by numerous Austin musicians on some tracks, the combination of banjo, guitars, and singing saw (played by Guy Forsyth), the instrumentation is a gentle accompaniment to Woodward’s voice. They provide a sense of subtle, delicate atmosphere that serves as a perfect backdrop.

The album is an odd duck — it’s got some themes that should resonate with urban dwellers, but with country/folk music roots and influence. Thematically, it has moments of surprising grittiness, which serves as an unusual (in a good way) contrast for her lullaby-like sound. Lyrics like

As for the songs themselves, they’re startlingly sharp given the sweet-sounding voice. “Jimmy” is nothing short of a tale of urban woe. With an opening salvo of lyrics like “Jimmy was a wayward man / Laying in a white linen bed / Broke his back in a rooftop fall / Doing so much blow / He couldn’t see at all,” it quickly establishes itself as a genuine heartbreaker of a song. Her sumptuous voice continues to twist through incongruous themes, as it continues with “I wish I had known him when / He was still too young for sin / I’d have taken all his kindling / Kept it dry for burning.”

My personal favorite is, unsurprisingly, “Boston” (Woodward’s a fan of one-word titles, which I have a strange respect for). Lyrically, it’s a beautiful, cryptic piece of poetry, but I mainly love it for the second iteration of the chorus, when her voice really has a chance to soar (“On the bus to Boston / with the scarlet turning leaves / I resolved to make my bed / with my better history”).

The only catch with Woodward’s album is that despite her excellent songwriting and captivating voice, her songs are all similar in style and sound. But then again, folk singers don’t kill you with their variety. They kill you with their lyrics, and their heart and soul. Woodward’s got that in spades.


http://www.pajiba.com/music/alexa-woodward-speck-review.php

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Bootleg

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Here's a live recording of a new, unreleased song from a concert at the Cabin in Portland, Oregon...the song is called Bowl of Morning

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Seattle Secret Show

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Portland House Concert

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house show with Hunter Paye, Trevor Reichman, Linky Dickson, and Jonathan Brinkley




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